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Features: Margaret Preston book/site - Aboriginal art and design Ern Malley, the world's greatest literary hoax Believers in Love, Festival appearances, Canada and USA
e-Publishing Report: How to Deal With Online Media Pirates
e-Networking 2003 University of Queensland Vanguard Literary Award Kaleidoscope video, film and multimedia Festival, Australia The Surface, an online chronicle of observation and comment 7th New Media Writers Workshop, Nottingham, UK
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Welcome to the July/August 2003 edition of the e-publishing quarterly from Artmedia. This newsletter now reaches over 9,000 writers, publishers, bookshops, libraries and media- smiths in Australia, New Zealand, America, and Canada.
With this issue we welcome another thousand poets and writers in North America, and remind any on the list who may wish to unsubscribe, to simply hit reply, and type unsubscribe in the subject line. If you are getting a number of copies, it is because of multiple email addresses, and to unsuscribe a number of addresses simply list them in the body of the email.
In the features this month, we have a book of essays by Australian artist Margaret Preston, who wrote a series of controversial essays on Aboriginal art and design, and its place in the creation of a national art for Australia.
With August comes Peter Carey's latest work My Life as a Fake - the story of a hoax poet in Australia's wartime... So now is the time to log in to www.ernmalley.com and see the story behind the world's greatest literary hoax.
And I promote my upcoming North American appearances with my novel, Believers in Love, at the Winnipeg and the Ottawa Writers Festivals in Canada, and at the Putnam Storytelling Festival in New York.
In the e-Publishing Report this month we reproduce an article by Alicia Karen Elkins on How to Deal With Online Pirates. Alicia has been in print for a decade, but she is also a private investigator, and her 'nuts and bolts' account of the legal steps to take to secure payment, shows this experience.
In the networking, we have information on the University of Queensland Vanguard Literary Award, we present the new multimedia categories at the Kaleidoscope video, film and multimedia Festival in Sydney, plus we have information on the 7th New Media Writers Workshop in Nottingham, England.
We aim to provide an avenue of communication for the growing electronic publishing community worldwide, so please send us information for inclusion in this newsletter. Details of our web-site and newsletter advertising deals are also at the bottom of this page. Please also forward this to somebody else who may be interested.
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On the Artmedia site you can find a list of links to performers, companies, resources and festivals all over the world, and you can subscribe to this newsletter, or the physical theatre newsletter, and find a copy of the latest issue of both newsletters.
While you are there, check out the Physical TV site, which has information on Richard James Allen and Karen Pearlman's Dance Films, and books, including Performing the Unnameable, an anthology of contemporary Australian physical performance scripts. www.artmedia.com.au/physical_tv.htm
South Australian author Adrian Rogers, has three fantasy novels published as e-books - on CD Rom or by direct download. Check out his free short story. http://www.artmedia.com.au/cathar.htm
Alan Clay's novels, Moontan, www.artmedia.com.au/moontan.htm Dance Sisters www.artmedia.com.au/dance.htm and Believers in Love http://www.artmedia.com.au/believer.htm are also featured.
Find details of advertising rates for the newsletters, and the site publishing charges, at the bottom of this newsletter, or check out www.artmedia.com.au/services.htm
=================================================== Feature: Margaret Preston's 'Art and Australia': Selected Writings ===================================================
Australian artist Margaret Preston (1875-1963) wrote a series of controversial essays on Aboriginal art and design, and its place in the creation of a national art for Australia. Forty years after her death, they have been compiled by Elizabeth Butel for the first time as Margaret Preston's ART AND AUSTRALIA: Selected Writings 1920-1950 (Richmond Imprint ISBN 1 920688 14 5; $29.95).
This large-format volume is 136 pages and includes 30 essays and 30 black & white woodcuts, addressing Preston's recurring preoccupations - 'modern' art, an Australian national art and the craft of art-making - including her woodblocking, pottery and silk- screen methods.
ETT Imprint have also been creating a new 8th edition of Margaret Preston by Elizabeth Butel, due out August, with 16 pages of colour images. Both works can be seen on Imprint's website for the artist on www.margaretpreston.com, which contains many resources and links for Preston who is studied at primary, secondary and tertiary levels throughout Australia. Further information through the website or from the publisher Tom Thompson on (61 2) 9387 8672 or fax (61 2) 9369 4031. e-mail ggumques@nsw.bigpond.net.au
=================================================== Feature: Ern Malley, the world's greatest literary hoax ===================================================
With August comes Peter Carey's latest work My Life as a Fake - the story of a hoax poet in Australia's wartime... So now is the time to log in to www.ernmalley.com and see the story behind the world's greatest literary hoax.
Read how two conservative Oz poets tried to mock the modernist movement by submitting the poems of the "dead Ern" Malley to Max Harris at Angry Penguins magazine. When the hoax emerged, Harris was pilloried - and Ern shone brightest.
=================================================== Feature: Stories from 'Believers in Love' in America ===================================================
Alan Clay's third novel, 'Believers in Love', is now available on order through bookshops and on-line stores worldwide. Order the paperback, or download the eBook. Upcoming North American Tour Appearances:
Winnipeg Writers Festival, Canada, September 18 to 28 Ottawa Writers Festival, Canada, October 1 to 10 Putnam Storytelling Festival, New York, USA, October 11 'Whole Note' Poetry Readings, Berkeley, California, October 28 'It's About Time' Readings, Seatle, Oregon, USA, November 13
"Profound observations of life, art and love... Believers in Love is a powerfully creative work, with prose that sings like poetry. Beautifully told and evocatively rendered, this novel comes very highly recommended." wordweaving.com
Find links to the Winnipeg, Ottawa and Putnam festivals under Festivals at www.artmedia.com.au/links1.htm And to suggest a reading, e-mail readings@artmedia.com.au Find reviews and more info on the book at www.artmedia.com.au/believer.htm
The first step in protecting yourself from media pirates is to post a notice on the first page of your web site that states none of your work may be used without your written permission and you will prosecute media pirates to the fullest extent of the law. The second step is to run your name through search engines on a regular basis. Carefully review each listing and make notes about any that are not markets to which you submitted.
Follow each unrecognized link to the site and check out why they have a link to your name or work. You need to write down: The full URL for the page with your work, the owner's e-mail address, the full name and address of the owner of the site, and the date of the post, if shown, or the issue date and number. You can often find a website owner's contact information by typing the URL into this site: http://dns411.com/
Make a print out of the web page containing your work and the home page for the site. Label a large envelope with "copyright infringement" and place all records about the case inside. Store in a safe place. Be sure to include the amount of time you spend on the case, so keep a log, and any trips you make, costs for copies, telephone calls, and so forth. If you get a judgment against a media pirate, you are entitled to recoup all expenses incurred to file the claim, appear in court, and collect the amount awarded to you.
The next step is to notify the site that they are using your work illegally and demand payment. State the amount owed (estimate what you think the publication of your piece is worth) and the length of time they may use your work once they compensate you. Save a copy of all correspondence sent. Print out a hard copy for the case envelope. You will need to prove that you made an honest effort to contact the owner of the site.
Allow a reasonable amount of time for a reply. If the owner replies, restate your demand for payment. They will likely tell you that they did not know it was illegal to use your work or that they are doing you a favor by supplying exposure for you and your work. Be strong and do not allow them to use your work illegally. The law is on your side. Demand payment. If the owner does not respond, send your demand for payment again. Wait another few days and send a notice that they have 72 hours to respond or you will take legal action.
After the final 72 hours, contact the internet service provider (ISP) where their site is hosted. Locate the home site for the ISP and look for a link about copyrights. If you do not see such a link, contact the ISP through their "help" link and ask for contact information for their copyright infringement agent. They will provide you with instructions for filing a complaint. Another way to do this is to check the "directory of copyright agents" for the ISP's agent listing at the U. S. Copyright Office web site at: http://lcweb.loc.gov/copyright.
You will have to sign a statement and mail or fax it to the agent. The statement must contain a description of the work, the URL where it is illegally used, a statement that the work does belong to you and nobody else has the authority to publish the work, and a statement that you did not authorize use of the work by the site. Ask the ISP to supply you with the full name and address of the owner of the site if you did not find it on the site. They will probably tell you that state and federal laws prohibit the release of this information without a court order.
Next, take a printout of the privacy act statement from the ISP and your copies of correspondence to a local court clerk and ask for an appointment to see the judge. Any court that is willing to issue a court order for release of information will work, but it is easiest to get it from a civil or small claims court. This can be accomplished in the judge's chambers without having a hearing. Send a copy of the order to the ISP. They will then send you the address.
When you get the address, go online and do a search of the city and state. You need to find the county name. Next search for the county Small Claims Court. Look for their contact information and read all information about filing a small claim. Many courts will allow you to file the claim by mail and to have the person served through certified mail. If the information is not given, call the court clerk and ask if you can file my mail.
File your claim. Include an itemized list of all your expenses, including your time figured at an hourly rate as stated in Writer's Market or other writer's reference manual. Do not ask for a lower rate. Include the following statements in your itemization: "Actual costs to appear in court. Receipts will be provided." If you are more than 100 miles from the court, add this statement: "Cost of travel required for court appearance." Count your time lost from productive work or any wages lost due to the travel and court appearance.
Be thorough, but observe the court's rules for the maximum amount that can be filed as a small claim. If the amount is more than allowed in small claims court, you will have to file a civil suit for fraudulent use and damages. File the claim and request to have the defendant served through certified mail by the court. Once you are notified of the court date, make your travel arrangements. Take any proof of copyright to the hearing, magazines, books, and so forth.
Getting the judgment is much easier than collecting it, especially with the sites that believe they have done nothing wrong in posting your work on their personal site. Often they will tell you that they will never pay. If they do not readily agree to pay in the courtroom, take your copy of the order straight to the county's title office and register a lien against all property owned by the person. This can mean anything from a lien on their vehicle or boat to a lien against their home. They cannot legally sell it or trade it without paying you.
The only way to stop piracy is to pursue each incident through court. As long as you have fully documented the incident and all of your costs to take it to court, you will win your case and receive compensation for the trouble. Often the media pirate will pay the claim before court to get the case dropped. If enough writers start prosecuting cases, word will soon circulate that media piracy is a costly adventure. Only then will writers be able to publish their work without losing it to people that "really liked it."
Alicia Karen Elkins grants free reprint rights of this article to anybody wishing to spread the word about media pirates. Let's eradicate media piracy! Alicia Karen Elkins has been in print for a decade. She is currently working to complete her MA in Creative Writing. She is also a licensed private investigator.
"Dear Editor, The UQ Vanguard Literary Award is now in its second year, with an increased prize pool of $4,000. 2003 UQ Vanguard Literary Award, sponsored by Archives Fine Books. Deadline: 1st of September 2003. First place: $3,500 + publication for top five stories. Also: $500 bonus LiterARTure Award. Short story: 3000 to 5000 words, with option to illustrate. Conditions and entry form available on the web site.Contact email: uqvanguard@uq.edu.au With thanks and best wishes from everyone at UQ Vanguard," Max Leskiewicz, President. Find this link under Awards at www.artmedia.com.au/links1.htm
"This year the Kaleidoscope Festival in Sydney has added three Multimedia Categories - Interactive Fiction, Non-Fiction and Game, making it one of the few Festivals to embrace the range of new media over the scope of the digital spectrum. Multimedia is increasingly becoming the language of the emerging generation of artists and filmmakers. Metro Screen Kaleidoscope has responded to this by putting together prize packages that will enable Multimedia practitioners to create further works using state of the art equipment and facilities. The festival will enable multimedia practitioners to exhibit their work in public forum to a large audience. The Interactive Multimedia Exhibition is part of the festival program. Nine pods will be installed in the Metro Screen studio, each housing one of the finalists works -three Interactive Fictions, three Interactive Non-Fictions and three Interactive Games. Multimedia industry leaders will open the exhibition with a presentation about working and living in the interactive realm. The exhibition will take place on Thursday November 13th at Metro Screen, located in the Sydney Film Centre, Paddington Town Hall, Sydney, Australia. Productions can be any genre on any format. Length: eight minutes including titles and credits. Entry Deadline: August 1 at 5pm. Prizes: 14 categories. Entrants: All members of Screen Development Australia. Screenings: November 10 to 14." Katrina Beck. Find a link to Kaleidoscope under Festivals at www.artmedia.com.au/links1.htm
"Dear Alan, We are seeking submissions for our online Arts and literature magazine - The Surface is a chronicle of observation and comment. A shop window for aspiring writers, poets, illustrators, photographers, journalists and essayists. We offer no fee. The Surface is completely, wholeheartedly and fiercely independent - it involves no charge at any time to either reader or contributor - the surface is self funded by donations. If you would like your work to be made available to literary agents, art directors and editors then please feel free to contribute. Each edition of The Surface will be hung on a theme, and each theme is broad and open to many interpretations. The Surface is intended to represent the diversity and talents of creative people. Submissions should reflect the interests of international readers." Sincerely, Kelly Mason. Find this link under On-line magazines at www.artmedia.com.au/links1.htm
"Call for participation in the 7th New Media Writers Workshop How can a writer's message be expressed in new media? What does new media offer that print does not? And in an age when new media has become increasingly professional, how can an individual produce work of a high enough standard--including text, graphics, animation, sound, programming etc. etc? The 7th New Media Writers' Workshop, part of the Hypertext 03 conference in Nottingham, will explore these questions and more. This workshop is also open to non-conference attendees. When: One-day live f2f workshop: Saturday August 30th in Nottingham, UK. The cost for this is £50 - can be sent in advance or paid on the day. Asynchronous web workshop at the trAce Forums from August 17th through to September 30th to discuss the issues and further develop works in progress. Participants will be chosen as a result of a call for participation, and essay answers to that call. Criteria for participation will be that participants represent a broad range of interests in the field. You can apply for the workshop alone or attend the accompanying conference." helen.whitehead@ntu.ac.uk
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In Alan Clay's new novel, Believers
in Love, a father and daughter team of sand-sculptors embark on a crazy
adventure which takes them from Sydney's Bondi Beach, to a magic mountain in New Zealand,
in which they explore the transient nature of art and life, and discover that
dreams are real.
Order
Believers in Love now from
bookshops worldwide, or from online stores like
www.amazon.com
"A female song and
dance trio threatens to self-destruct on the brink of fame, when its leader becomes
involved with a manipulative cult, touting sex, astrology and virtual dreaming"
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