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March 2006

Welcome to Artmedia Publishing in Sydney. We are building a community of interest in contemporary Australian and New Zealand Literary & Performing Arts. To receive our Physical Theatre e-mail newsletter, published in the middle of each month, enter your e-mail address in the box below.

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Artmedia - Physical Theatre News - March 2006
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Sponsor:
  Arts Hub, Essential Accessory for Arts Professionals, Aust

Playspace:
  Clown Masterclass with Alan Clay, Sydney, Australia

Features:
  New Aerial and Circus Training Space in Chicago, USA
  NACL Catskill Performer Training Retreat 2006, USA

Special Feature:
  Jango Edwards, Cannes Clown Master Class, France

Networking:
  Adelaide International Busking Festival Winners, Australia
  Workshop in Asiatic Theater, Stranizza Theatre, Macedonia
  Call for Circus Acts, Circus Cabaret for Families, Pakistan
  En Pistes National Circus Arts Forum in Montreal, Canada
  Usanu Theatre seeks Physical Theatre Performers, London
  Submissions Sought, a Week of Exciting New Work, London
  International Conference on Circus and Street Arts, Belguim
  International Street Theatre Festival 'Without a Roof', Russia

Artmedia:
  Newsletter Subscription & Unsubscription information
  Newsletter Advertising and Artmedia site Promotion

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Artmedia News

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Welcome to the March 2006 edition of the Artmedia physical theatre newsletter, your e-publication with an Australasian focus and a global perspective, now in its fifth year and reaching over 2,100 subscribers, and a further 5,300 on related Yahoo lists.

In the Sponsorship this month, we welcome back Arts Hub, who put out the Jobs Bulletin, Australia's only online employment resource giving you all the up-to date job information you need to stay ahead of the pack. The online News includes all the latest information from both Australia and overseas, plus you get an email bulletin direct to your desktop three times a week.

In the Playspace section, the earlybird price on the May Masterclass comes up at the beginning of April, and we announce a new Clown Intensive in September in Sydney, and a Clown Summer School Retreat in the beautiful Coromandel Peninsular in New Zealand in January next year. There are also new photos from the February Clown Intensive now on the Playspace web site.

In the Features, we have a new Aerial and Circus Training Space, the Aloft Loft, home to Aloft Aerial Dance, opening in Chicago, USA, on April 1st. Artistic Director Shayna Swanson leads classes in trapeze, aerial dance technique, silks, rope, lyra/aerial hoop, partnering, stilt dancing and more. A monthly membership allows approved aerialists, dancers and acrobats to practice in the space on a 24/7 basis.

And we have the NACL Catskill Performer Training Retreat 2006, where for two weeks, international retreat participants - performers, directors, theatre makers - live and eat at the NACL artists' residence and train intensively with NACL founders, Brad Krumholz , Tannis Kowalchuk, and guest teacher Ker Wells, in NACL's church-turned-theatre on scenic Highland Lake, located 2 hours from New York City.

In the Special Feature, Jango Edwards has information on the 12th Annual Clown Master Class which will be held at the 'Performance d'Acteur Festival' in Cannes, France, from June 3rd  to the 10th. This year, as the public are transported via electric train, their Magical Mr. E tour guides take them on a historical  journey throughout the city of Cannes, on which they will experience a unique series of events and animations performed by the master class actors.

In the networking, the winner of the Adelaide International Busker's Festival last weekend was clown, Pedro Tochas from Portugal, and we have news of the runners up and peoples choice awards and links to the performers web sites. We also have news of a 3 day workshop in Asiatic Theater - Peking Opera, Vietnam Tuong theater and NO Theater Japan - that will take place in May in Skopje, Macedonia. This workshop will be a led by Alexandar Iliev from Bulgaria, professor in Acting, Anthropology and Mime at the Bulgarian Academy for Theater and TV.

We have a call for performers for a family Circus Cabaret show in Pakistan in September 2006. The show will run for 10 days with 2 shows a day and the organisers will provide travel, stay and meals with technical facilities such as sound system and stage lights in addition to fees. And En Pistes National Circus Arts Forum in Montreal, Canada, will open on April 3rd. The event is divided into three separate sections. The artistic section will focus on the writing of circus works for small or outdoor performance spaces. The training section will deal with creativity in circus training programs and the technical section will be on acrobatic rigging.

In England, Usanu Theatre Company is looking for 4-6 charismatic, talented and flexible performers who have an interest in physical experimental theatre. The piece will be based on exploring the body within the space, dreams, and using the influence Jean Cocteau's "Orpheus". And be quick to submit proposals to Write Side of the Brain, a week long event of exciting new work across performing art forms in London, as these close on Monday. Missfit productions will select ten proposals for production at the Baron's Court Theatre in May.

The International Street Theatre Festival in Grand, Belgium, is organizing a conference on circus and street arts, in April which will explore the possibility of a large-scale demonstration within Flanders, not unlike the one launched by the French Ministry of Culture and Communication, Time for Street Arts, or even like the one inaugurated in the Netherlands, the Year of the Circus. And finally in Russia, the International Street Theatre Festival "Without a Roof" will take place in the historical space of the Peter and Paul Fortress in the centre of Saint-Petersburg in June

We aim to provide an avenue of communication for the physical theatre community, so send us information for inclusion in this newsletter, and please also forward this to someone else who may be interested.

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Artmedia Network News

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On the Artmedia site you can find links to performers, companies, resources and festivals all over the world, and you can also subscribe to this newsletter. The newsletter archive includes all issues for 2002, 2003, 2004 and 2005. Check it out at:
http://www.artmedia.com.au/news.htm

Theatre LOTE provide innovative Bi-lingual Performances for schools and festivals. http://www.theatrelote.com.au
Sue Broadway has information on her touring performances and projects. http://www.artmedia.com.au/broadway.htm
The Bendy Em Show . Check out Emma's contortion show at http://www.artmedia.com.au/bendyem.htm
Physical TV has info on Karen Pearlman and Richard James Allen's Dance Films. www.artmedia.com.au/physical_tv.htm
Aerialize have information on their aerial theatre classes and projects in Sydney.
http://www.artmedia.com.au/aerial.htm
Hemlock Mejarne is an acrobat, stilt-walker, who has a range of skills. http://www.artmedia.com.au/acronym.htm

For one page on the Artmedia site, it is just $20 a month, or $30 for as many as you want, so contact us if you want to promote your work on a site which features search engine referrals direct to your page, and over 1,600 links from like-minded sites.

We have also recently started a new publishing service, where we do your website at your address. On this deal it is just $40 a month to maintain and promote the site, no matter how many pages you have, and only $20 a page set up cost.

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Sponsor: Arts Hub the essential accessory for all arts professionals

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Every year Arts Hub just keeps getting bigger and better - and in 2006 Arts Hub is looking to offer the best ever. Our members can enjoy more jobs, more breaking news, more features written from key members of the arts community and more columnists telling it like it is!

The Jobs Bulletin is Australia's only online employment resource giving you all the up-to date job information you need to stay ahead of the pack. The online News includes all the latest information from both Australia and overseas, plus you get an email bulletin direct to your desktop three times a week.

Your diary will be brimming with key dates of happenings, events and activities by using our Industry Events Calendar.  For the busy professional information needs to be quick and efficient our Pathways service allows you to select news in your area of interest, for instance Performing Arts, or Museums & Galleries at the click of a button.

Arts Hub is the only accessory you can use at home, at work and when you're out and about!

Arts Hub membership is only $77 per year, and even less for full-time students.  Until 15 March 06, full-time students can join for only $55, and receive a free mug or t-shirt (your choice).  Please use promotional code 67115 to get this deal.

Click this link and use your promo code to get the deal:
http://www.artshub.com.au/ahau1/members/new1.asp

Join Arts Hub now and be included in the draw for a funky Apple iPod nano on 31 March 06!

For more information, visit www.artshub.com.au    or call us on (03) 96829920.

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Angels Can Fly, a Modern Clown User Guide, by Alan Clay

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This month we continue a series of excerpts from the book, with an anecdote from the chapter on Spontaneity by Andrew Cory. Andrew runs the Red Spoon company and teaches clown in Brisbane, Australia. He has studied at Ecole Philippe Gaulier (London), Centre Selavy Mask School (France), Todo Performance Academy (Denmark), the School for Mime Theatre (USA), and Bont's International Clown School (Spain).

"When I first was studying clown in London, there was a student from Spain called Marta. When we all arrived at class she was by herself and very quiet and it soon turned out that she spoke almost no English. This meant that each time she got up to do an exercise she only had a very precarious grasp on what she was meant to do, and no way in which to communicate her intentions other than through her actions.
        In the words of my teacher she was 'always in the shit', which is a good thing for someone learning clown, by the way.
        At any rate, to watch Marta do an exercise was a celebration of abandonment, imagination and impulse, she didn't know what she was supposed to do, we didn't know what she was doing and because of that the possibilities were endless.
        She could only respond from the heart and her sense of play to the chaos that she was always in, up on stage. Her presence was electric because she was sharing her humanity and having fun.
        Furthermore, to get up on stage with Marta and do an exercise was to abandon all hope of rationality and linear narrative, you simply entered the lunacy and learned to fly to wherever the spirit was blowing. I learned so much from watching and participating in her chaos."

Angels can Fly includes a mix of fiction which follows the adventures of ten clown characters, some personal clown anecdotes from clowns from around the world, a total of 50 practical clown exercises, and some theory on the nature of modern clown. The book is available on order through bookshops and online stores in New Zealand, Australia, America and England. Order your copy today. Find it on Amazon by following this link:
http://tinyurl.com/9nrwj

"Clown is a fascinating, diverse, complex and exciting art form, which has existed around the planet for thousands of years. Like any art form it has to evolve to stay relevant to the culture nurturing it, and at the same time, and by its very nature, clown teases and turns upside down the cultural patterns and boundaries around us."
 

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Playspace: Clown Masterclass in Sydney led by Alan Clay, Sydney, Australia

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Clown Masterclass (3 day) Tuesday May 2 to Thursday 4.  Earlybird: $325 (by Apr 3), $400 (full)
   
Each day of the masterclass starts with a yoga warm up, which is followed by exercises to develop physical and emotional expression, and improvisational exercises to develop comic timing and audience rapport. This Masterclass program has been created to provide an advanced platform for the development and practice of clown skills. Some students with no experience will also find this course suitable, simply by releasing themselves to the process. For the past two years Playspace director Alan Clay has been teaching clown masterclasses: in Brisbane, Melbourne and Sydney, Australia; in Gisborne, New Zealand; Ottawa and Vancouver, Canada; and in Connecticut, USA. Alan has also taught clown at CircoArts in New Zealand, and at MotionFest in USA.

One Week Clown Intensive, September 11 to 15. (5 day) Price Buster $400 (by June 1st), Earlybird $500 (by August 11th) Aus$600 (full)

Clown is an art form which has existed for thousands of years, and undergone a revolution in recent times, as it made the leap back from circus into theatre, giving birth to 'new clown' and physical theatre. This course takes a broad view of clown, which allows students room to develop their own unique style. Each day starts with a yoga warm up, followed by exercises to develop physical and emotional expression, and improvisational exercises to develop comic timing and audience rapport. This workshop will also include opportunities for those who want to create clown performance material. We often have ideas or images of what we want to do, but we need a structure to help us develop these. This workshop is designed to help with this process.

Clown Summer School Retreat, Wednesday January 10 to Sunday 14, (5 day) Sandy Bay, Coromandel Peninsular, New Zealand. Including 6 nights accommodation, Price Buster NZ$520 (by 1st Sept), Earlybird $620 (by 1st Nov), $720 (full)

The Clown Retreat will be held in a secluded studio by the beach at Sandy Bay, at the top of the Coromandel Peninsular, about four hours drive from Auckland, New Zealand. The fees include six nights accommodation with kitchen facilities. The Clown Retreat is timed to be held just before the world buskers Festival in Christchurch for those coming for the summer season in New Zealand. The Retreat will provide an opportunity to reconnect with that playful, inquisitive, cheeky, clown spirit in a beautiful outdoor setting.

"In the best clown tradition Alan held up a window-mirror for us to step through and reflect on the patterns, habits and rituals of our days... It was funny, moving and excellent theatre." NZ Herald.

More information, and new photos of the February Clown Intensive, at www.artmedia.com.au/playspac.htm

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Feature: New Aerial and Circus Training Space Opening in Chicago: The Aloft Loft!

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Chicago, IL, USA. Beginning on April 1st, The Aloft Loft, will open its doors as the Midwests premiere aerial arts training facility. Home to Aloft Aerial Dance, the versatile practice and performance space features adjustable and quick rigging points, static rigging points, two vertical dance walls (one for bouldering and one for harness/rappelling work), ground work space and a circus/aerial library and resource center. The mission of the Aloft Loft is to provide a supportive and vibrant community space to all those seeking to enrich their lives through aerial dance and circus training, and to provide a home away from home for traveling performers passing though town. We pride ourselves on maintaining an open and welcoming environment to aerial enthusiasts of all levels.

With over 15 years of teaching experience in the physical arts, Artistic Director Shayna Swanson leads classes in trapeze, aerial dance technique, silks, rope, lyra/aerial hoop, partnering, stilt dancing and more. Other classes, soon to be offered, include harness work, yoga, Lacoc technique and more. Beginners to professionals will feel challenged in our fun and structured technique and skill based classes. Private lessons are offered in almost all aerial disciplines as well as tumbling, acrobatics, Chinese Poles and more. A monthly membership allows approved aerialists, dancers and acrobats to practice in the space on a 24/7 basis and a class discount, Practice time is also available hourly. Additionally we are seeking unique class ideas from experienced teachers, so we encourage all to bring forth their ideas.

Come check out our classes, refer your friends and support aerial arts as we gain steam in the Midwest. Please check out our website for more info on classes, memberships and performances. www.aloftaerialdance.com

Members of the press are welcome to come and take a free class at any time. Please email aloftaerialdance@yahoo.com  to RSVP your spot!

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Feature: NACL Catskill Performer Training Retreat 2006, USA - Two Weeks This Year!  June 18 - July 2, 2006

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NACL is now accepting letters of application for the 2006 training retreat. REASONABLE TUITION for artists, students, teachers! For two weeks, international retreat participants (performers, directors, theatre makers) live and eat at the NACL artists' residence and train intensively with NACL founders, Brad Krumholz , Tannis Kowalchuk, and guest teacher Ker Wells in NACL's church-turned-theatre on scenic Highland Lake (located 2 hours from New York City).

Training History
Drawing from a continuum of experimental techniques that includes the ensemble work of Denmark's Odin Teatret, Canada's Primus Theatre, and the research of Jerzy Grotowski, we have built upon these sources to develop a unique approach that awakens each artists potential to maximize the expressive use of body, voice, imagination, experience, memory and intellect to create compelling performance work.

NACL Training
The Animal, Work --- vigorous physical exercises designed to expand physical presence, impulse, expressivity, and 'the center' of the actor.
The Vegetable Work --- vocal training that focuses equally on the possibilities found within each actor's many vocal resonators and on the work of group singing in harmony.
The Mineral Work --- generating material for performance. Tapping into his or her own creative and individual fire, each retreat participant will create performance material that will eventually be montaged into a final presentation that culminates the retreat.
Guest teacher, Ker Wells will also work with participants on his unique training exercises and performance creation.

Who should do this?
This retreat is designed for those interested in ensemble theatre, solo work, devised performance, physical theatre adaptations, experimental and original theatre creation. The physical training is vigorous but should not dissuade those with little or no experience. In the past, writers, directors, teachers, dancers, and actors have participated.

Application Process
Tuition  is only US$1150 for workshops, housing, and food (an all-inclusive price for 2 full weeks!) Please send us a detailed letter about yourself that includes your experience, age, and why you are interested in this retreat. We will reply to everyone who applies. Upon acceptance, a deposit of $250 will be required to hold a place at the retreat. Send Application Letter to: Tannis Kowalchuk, Artistic Director, NACL, 110 Highland Lake Rd. Highland Lake, NY 12743 USA. Ph: 845-557-0694.
http://www.nacl.org/

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Special Feature: Jango Edwards's 12th Annual Clown Master Class at the 'Performance d'Acteur Festival' in Cannes (France) from June 3rd  to the 10th.

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This year's major theme will focus on the creation and production of 'The Cannes Magical Mr. E Detour.'  As the public are transported via electric  train, their Magical Mr. E tour guides take them on a historical  journey throughout the city of Cannes.  During this voyage the unsuspecting tourists will experience a unique series of events and animations performed by the master class actors along various locations on the route.
      
As a Clown Performer you will work with other professionals in an ensemble; relate to the audience in unpredictable and spontaneous situations and learn how to improvise and adapt in order to give the gift of laughter to an unsuspecting public. You will explore the role of the comic actor as a social warrior, laughter terrorist and mercenary of humor. 'The world is a stage and each must play his part' might seem a clichi to some people, but for the clown it is truth.

The Cannes Master Class Dream Team assisting Jango this year will include some of the following instructors, teachers, professional animators, musicians and clown actors:

Peter Ercolano   (Italy)
Grada Peskens   (Netherlands)
Carlo Colombaioni   (Italy)
Lucas Trapaza   (Spain)
Nana Divina   (Switzerland)
Giovanna Bellina   (Italy)
Elliot Jenicot   (Italy)
Slava Polunin   (Russia)
Laura Herts   (USA)
Tony Murchland   (England)
Isabel Murchland   (Spain)
Tom Gerder   (Australia)
Angel Amieva   (Spain)
Cristina Borras   (Spain)
Barbara Villa   (Italy)   

The Master Class is for 8 days. Besides the intensive training sessions the fee includes food, accommodation and a pass to all the events at the festival. In addition, everybody graduating from the Master Class achieves the MCS (Master Clown Status)  and will receive the official Diploma. Each participant must be flexible, willing to apply their whole imagination and have a desire to achieve the art of total communication. The ensemble animations are compulsory for everyone. Applicants must have a professional performing status to be considered for selection. Enrolment is based on a limited number of participants and will be on a first come first serve basis.

To attend this year's Master Class, please fill in and return the attached application form as soon as possible to MrEproductions@hotmail.com  . You will then receive all the necessary information, a festival program and a map of Cannes. If you have additional questions please contact Peter Ercolano at Mr. E. Productions Italy at tel. 0039 347 4420837 or  Cristina Borras at Mr. E. Productions Spain at tel. 0034 661111127 or by e-mail: MrEproductions@hotmail.com  

The History of the Cannes Master Class - 1971 to 2005  

The annual "Clown Theory Master Class" has a unique history. From 1971 through 1990 Jango Edwards developed a specific method for students to explore comic formulas, rediscover the art of clowning and embrace its social value. Through extensive research, clinical educational experiments and an open exchange of selected improvisational exercises, comedy styles, games and acting methods, Jango created the three level "Clown Theory" workshop. Its success led to the need for a more personalized and intensive workshop for the professional clown performer and the "Clown Theory Master Class" was started by Jango Edwards together with Peter Echo and Nana Divina. A group of international instructors were enlisted, each specialized in a comic technique, to function as a comedy dream team. With this unit we could also offer a multi lingual course. Since the "Clown Theory Master Class" was inaugurated in 1995 at the "First International Clown Festival" in Leukerbad, Switzerland, it has been conducted annually at numerous international events in France, Germany, Spain, Italy, Austria, Holland, India, Brazil and the United States.

Each year we present a different aspect of the clown art, so that the class is always a new experience in the learning process, both for students who have attended previous master classes as well as for first time initiates. From 2002 to 2004 we expanded our faculty of international instructors, expanding on the individual and team teaching events. As part of the training each student was required to write, cast, film and direct a 1 minute comedy short based on the cosmic law of comedy, the 3 gag routine. Also, as part of our permanent curriculum, we continue to offer each student one on one private master class sessions with an individual instructor.    

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Networking and Feedback

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"Congratulations to all the people who entered in the Adelaide International Busking Festival and made the day a huge success! We had huge crowds last weekend, much larger than anyone expected and combined with Fringe Family Day it was a great day of fun in the city. The peoples choice award ($1,250) went to Bike Boy from Australia. The award for creativity ($1,500) went to the Von Trolley Quartet from Austria. 3rd Place ($2,000) went to Johan Wellton from Sweden. The Runner Up ($3,000) was Duo Acrobats (pictured right) from Australia. And the winner of the Adelaide International Busker's Festival ($5,000) was Pedro Tochas from Portugal (Pictured at the awards)." Find links to Pedro Tochas under Clowns, and Bike Boy, Von Trolly Quartet, and Johan Wellton under Street Theatre at: www.artmedia.com.au/links.htm

"Dear Alan, and associates, First I want to say thanks for a few years newsletters that I have been receiving from you, and I must say that it is very impressive. I would like to announce a workshop that will take place on May 19, 20, 21 in Skopje, Macedonia. It will be a 3 day workshop in Asiatic Theater ( Peking Opera, Vietnam Tuong theater and NO Theater Japan) led by Alexandar Iliev from Bulgaria, professor in Acting, Anthropology and Mime at NATFIZ (Bulgarian Academy for Theater and TV). Everybody interested in this workshop can visit our web site, where you can find more details about the event and contact information. I hope this will be a beginning of a beautiful cooperation." thanks again. Trajce Gjorgiev, Stranizza Theatre, Macedonia. Find a link to Stranizza Theatre under Physical Theatre at: www.artmedia.com.au/links.htm

"Dear Friends, we are planning to have a Circus event for the families in September 2006 in Pakistan. We are planning to run it for 10 days and will be having 2 shows a day. The dates that we are looking at are from 1-10 September. Please give me your best minimum rates for all the circus acts you can perform (solo or duo both) and provide details including time duration of each act. Total duration of the show will be for 1 Hour 45 Mins. We want acts from different countries. We will provide travel, stay and meals with technical facilities such as sound system and stage lights." Best regards, Victor Lawrence, Ritz Entertainment. Find a link to Ritz Entertainment under Resources at: www.artmedia.com.au/links.htm

"En Pistes National Circus Arts Forum in Montreal, Canada, will open on April 3rd. The event will be divided into three separate sections dealing with artistic issues, circus training and technical aspects. The artistic section will focus on the writing of circus works for small or outdoor performance spaces. The training section will deal with creativity in circus training programs and the technical section will be on acrobatic rigging. The Forum is an annual event allowing the circus worlds of Quebec, Canada and the United States to gather together to exchange their views on shared issues through various discussion workshops." Genevihve Dupiri, Find a link to the National Circus Arts Forum under Festivals and Events at www.artmedia.com.au/links.htm

"Usanu Theatre Company is looking for approximately 4-6 charismatic, talented and flexible performers who have an interest in physical experimental theatre. The piece we are creating will be based on exploring the body within the space, dreams, and using the influence Jean Cocteau's "Orpheus". The piece which will be debuting at "The Old Sorting Office Theatre" in South West London, then "Richmond Studio" in the RACC (date to be confirmed) and hopefully touring to various other theatres in and around London. There will be a three week rehearsal period (1st-21st April), with the performance debuting on 21st April. It is important that you are available for the majority of this period and work well in an ensemble environment. Although given direction you will be given the freedom to devise and help choreograph your own work from theatrical exercises and stimuli that we will provide throughout the process. This fantastic opportunity will be a voluntary position as we are a non-profit theatre company. To apply, please e-mail your CV, confirm your availability and a blurb explaining your interest and what you can offer to this project. You can find our contact details on our web site." Jessica Mistovski. Find a link to the Usanu Theatre web site under Physical Theatre at: www.artmedia.com.au/links.htm

"This is an invitation for theatre companies and performance artists to submit proposals to Write Side of the Brain, a week long event of exciting new work across performing art forms in London. Missfit productions will select ten proposals for production at the Baron's Court Theatre in May 2006. We will help you produce your work, and you will receive 40% of box office takings for each performance. We require complete scripts, or, for performance art, the conceit. Each piece should be a maximum of 50 minutes long. Please include name, and contact details. C.Vs are not required: work will be judged on its own merits. All submissions must be received no later than March 20th . The Write Side Of The Brain - runs from Tuesday 16th through Sunday 21st of May 2006. There will be two different performances each night, starting at 7PM and at 8:15PM. For further information about The Write Side Of The Brain see our web site where you can find contact details to email your proposals ." Lennie Varvarides. Find a link to Missfit Productions under Resources at: www.artmedia.com.au/links.htm

"The International Street Theatre Festival in Grand, Belgium, is organizing a conference on circus and street arts, April 12 and 13. Half a day will be devoted to introducing different European networks acting within our sector. A great number of programmers from greater Europe as well as representatives of the aforementioned networks shall speak at the occasion. We shall also explore the possibility of a large-scale demonstration within Flanders, not unlike the one launched by the French Ministry of Culture and Communication, Time for Street Arts, or even like the one inaugurated in the Netherlands, Year of the Circus. Other debates will be held, most notably on the links that Flanders is now developing with international partners, on the absence of places of production on the Flemish territory, or on the workings of the street arts federations in France and Belgium. The debates will take place in Dutch, French and English." Find a link to the International Street Theatre Festival under Festivals and Events at: www.artmedia.com.au/links.htm   

"The International Street Theatre Festival "Without a Roof" will take place in the historical space of the Peter and Paul Fortress in the centre of Saint-Petersburg, Russia, from 16th to 18th of June, on three or four stages. We are committed to familiarizing the Russian audience, critics and the theatrical public with the original culture of street theatre as an independent art. This event is conceived as a bright street action, or an extemporaneous, expressive subculture. The Parades, a special genre of street theatre, shall open the program. The aesthetic space of the fortress will be filled by static installations by theatre artists. A great 'happening' accompanied by the musical teams of different genres will end the Festival. The program will include:  Shows by leading professional street theatres of Europe;  Actions and installations by leading artists of Saint-Petersburg and Moscow;  Workshop for the organizers of street public events;  Workshops for students of theatrical high schools and creative young people;  Artistic club during the Festival. The organization committee of the Festival looks for partnership, support and collaboration." pejo@mail.ru

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Artmedia Services

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Newsletter Advertising and Sponsorship
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Aus$50 buys a three-paragraph Feature promotion in this newsletter, Aus$80 buys a Feature with an image, and Aus$120 buys a Special Feature offering six paragraphs and an image. Sponsorship offers seven paragraphs and an image right at the top, and is valued at Aus$200.

Because the newsletter does cost us to produce, our policy is to offer one free listing in the networking section, and then to offer the Features and Sponsorship options. We offer no free promotion of performances in the networking, or we would be swamped with it, to promote a performance contact us about the paid options. If you have previously had an item in the newsletter, and this has worked for you, contact us about the paid options. As you can tell from the repeat Sponsors and Feature advertisers, this promotion - to a targeted audience of 2,100 dedicated subscribers, and a further 5,300 on related Yahoo lists - works.

Web Site
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After 6 years of building links, and developing search-engine-friendly pages, the Artmedia pages are now consistently placed at the top of the list by the search engines like Google. We also get lots of visits to the site from past users who have book-marked the site, and through over 1,600 links with like-minded sites.

It is just Aus$20 a month, to put a page of promotion on the Artmedia site. If you have your own site, this is perfect as a news page, to directing traffic from Artmedia to your site, and if you do not yet have a site, this is a great way to start promoting your work on the net. For this, we maintain your listings in the search engines and build your traffic through our links, and this newsletter, and update your information as often as you like, at no extra cost.

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Subscriptions & Unsubscriptions

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This Physical Theatre newsletter, can now look back at its first four years of publication. As the readership grows, we are developing the Australasian focus and the global perspective of the publication. Those on the list include some of the best performers, groups, training institutions, festivals, events and resources in the world.

Subscriptions
If you have received this issue of the Artmedia physical theatre newsletter from a friend, and you wish to subscribe, please go to
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Unsubscriptions
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Material in this newsletter is copyright Artmedia 2006, but may be reprinted, with a credit to
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Last updated 16th March 2006